Browsing Tag

working class actors


Change Your Accent Part 2

 Imported from old blog post at tanyavital.blogspot

So a strange thing happened after Part 1 of ‘Change Your Accent’. There was a HUGE controversy over a new children’s programme called ‘Rastamouse’. for those not in the know, Rastamouse is a mouse who happens to be Rastafarian) and he and his pals solve mysteries using intelligence and intellect. The programme is an offshoot from the original books, written in fact by a real Rastafarian.

Now there was a huge debate over how, if in fact at all offensive this mouse was to black people (which got my goat a bit since it was in fact written by a black Rasta) and whether it was poking fun. But what also came from the controversy was the fact that popular Presenter Reggie Yates was the voice for this mouse.

It seems that Reggie is of African decent and the fact that he was changing his accent to play a Caribbean role infuriated some people. . . . At first I wasn’t sure where I stood on this issue and then I began to think about my 1st ‘Change Your Accent’.

As an Actor I know that it is imperative at times to indeed change your accent. We are Actors and within this definition we pretend to be someone else. I myself have played and spoken with Caribbean, RP, American and Scouse voices. Did this make me a fraud or a phoney because I am a native Yorkshire lass? I believe not! I’m an Actor and the part required me to PLAY, to PRETEND.

I then began to look at other Actors, Naomie Harris (Tia Dalma in Pirates of the Caribbean) is Native London, Aml Ameen is in the US playing an American in Murphy’s Law, Idris Elba, Eammon Walker, Miss Joselyn Comedienne (in fact all comedians), Sean Bean, Ewan McGreggor, the list is endless!! These people all change their accent depending on the roles and have NEVER had as much stick as poor Reggie.

It’s a strange phenomenon and I’m not sure if it is a universal ignorance or one restricted to just the black community? I completely understand a need for a culture to be represented authentically and there are possibly a million Caribbean Actors who could have given Rastamouse an authentic voice, but I think this controversy answered my initial questions in ‘Change Your Accent Part 1′.

When it comes to Art and Play, I think we have to be a little flexible. For an Actor/Performer it may sometimes be necessary to change our accent, but as long as we do it as truthfully and as representative as possible, does it really do any harm? Answers on a postcard . .

Quintessential Britain: The false image

Quintessential Britain: The false image we market around the world and how it negatively impacts our true society.

Imported from original Blog tanyavital.blogspot

The wonderful world of Twitter presented a slightly uncomfortable, yet relevant question that I had to get to the bottom of. I follow a shed load of people. When I say ‘follow’, (for those who don’t have Twitter) I mean I subscribe to their tweets – I’m not a slightly imbalanced fanatic hiding in bushes). I follow a lot of people for both work reasons and for variety and I seem to follow a lot of ‘Industry’ types in the US.

There was one particular guy I followed from the States, he was a writer – mostly for screen, but as I’m TRYING to become a Playwright I thought he might have some tips I could use. Anyway! This guy has worked both in American and England, apparently so I thought he’s be very knowledgeable. Turns out this guy had a huge chip on his shoulder about our Film industry. He seemed to have very odd views that we somehow copy the American way of film making (poorly in his opinion) or somehow aspire to BE the American Film making industry. He thought it would be best if we did our own thing . He also wanted to know why we don’t promote our modern films in America and why we only showed England as it was in the 1800′s.



I neither have the time or the patience to name the endless list of amazing and modern films we’ve created in this country and this is certainly not a lecture, but one question came to mind. Does Hollywood only entertain English films if we are the ‘Quintessential Britain’ that they hear about in the story/history books?

If we look at Harry Potter, Chronicles of Narnia, Young Victoria, blah blah blah all of these are set in a place and time far gone by, so to a certain extent if you only watch big Hollywood blockbusters, you would think we still ride in carriages and wear corsets over here. But is this what Hollywood wants from us? Why don’t we/they fund modern films to reach that big budget status? Is this our commodity that we sell to stay relevant or even involved in the film making industry?